Much of Boccherini's chamber music follows models established by Joseph Haydn however, Boccherini is often credited with improving Haydn's model of the string quartet by bringing the cello to prominence, whereas Haydn had frequently relegated it to an accompaniment role. Then he accompanied Don Luis (the Infante) to Arenas de San Pedro, a little town in the Gredos Mountains in Ávila there and in the nearest town of Candeleda Boccherini wrote many of his most famous works.īoccherini playing the cello. The composer, no doubt irritated with this intrusion into his art, doubled the passage instead, which led to his immediate dismissal.
There, Boccherini flourished under royal patronage, until one day when the King expressed his disapproval at a passage in a new trio, and ordered Boccherini to change it. In 1761 Boccherini went to Madrid, entering in 1770 the employ of Infante Luis Antonio of Spain (1727–1785), younger brother of King Charles III of Spain. In 1757 Luigi Boccherini and his father both went to Vienna, where the court employed them as musicians in the Burgtheater. When his son reached thirteen, Leopoldo Boccherini sent him to study in Rome with Giovanni Battista Costanzi. Luigi received his first music lessons at age five by his father, who taught him cello, and then continued his studies at age nine with Abbé Vanucci, music director of a local cathedral, at San Martino. He was the third child of Leopoldo Boccherini, a cellist and double-bass player, and the brother of Giovanni Gastone Boccherini, a poet and dancer who wrote librettos for Antonio Salieri and Joseph Haydn. Boccherini was born into a musical family in Lucca, Italy in 1743.
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